Showing posts with label Hugh Jackman. Show all posts
Showing posts with label Hugh Jackman. Show all posts

Friday, May 23, 2014

X-Men: Days of Future Past

Dustin: 4 of 5 stars Nick: 3.5 of 5 stars Average: 3.75 of 5 stars (Live canary)



Dustin: The latest X-Man film has the Wolverine’s consciousness sent back to his 1973 self to prevent a catastrophic war in which mutant robots destroy the world while wiping out mutant humans. The Wolverine must rally the forces of two enemies, Professor Xavier (James McAvoy/Patrick Stewart) and Magneto (Michael Fassbender/Ian McKellen), so their future selves can become BFFs (see Image 1).

Image 1. Actual screenshot from X-Men: Days of Future Past.
Source: twitter.com/SirPatStew
Dustin: So Nick, what did you think of X-Men 7: Days from the Future in the Past?

Nick: A little disappointed, but overall satisfied. Since there are so many characters in the past and future, little is seen of each. While Wolverine (Hugh Jackman) appears the most, it wouldn't be surprising to find out he has the least amount of dialogue of any character. The same could be said of Mystique. We see her a lot, but not too much comes out of her mouth. Or maybe it just feels that way since she is always in a different face.

Dustin: That somewhat sums up my criticism of the entire X-Men universe. There are so many characters, some with multiple powers that sometimes feel made up on the spot, none of them can be more than a plot device, and newbies might feel lost. The reason I never got into the cartoon as a kid was because I gave it a couple attempts and just couldn’t understand the characters or what was going on.

This film, however, does a decent job balancing the characters with the plot. Some characters will probably confuse those who’ve never seen an X-Men film (like the Asian X-(Wo)Man who can apparently open portals in thin air). But most of the screen time is devoted to X-Men who don’t require an explanation, like Wolverine or the Beast.

Nick: While your argument is mostly correct, I would prop up X2 as a shining example of a film that has a plethora a characters, but all follow the same path and it’s ultimately the first Wolverine film. That film follows Wolverine trying to find his “creator.” The rest of the cast is trying to stop the same guy because he threatens all mutants. This is actually brought up in this film quite a lot and makes the secondary bad guy Bolivar Trask (Peter Dinklage). Every X-Men film should be about one of the many character’s stories with the others going in and out.

Did you notice the actors’ names? The Asian X-Woman you speak of is Blink. Her real name is Bingbing Fan, and Warpath is played by Booboo Stewart. Love the latter’s name!

Dustin: I noticed that when I looked at the cast on IMDb to get the spelling of their names right. I liked that Bingbing and Booboo were an effective pair in the film.

I think this film was emotionally satisfying in the arcs of the main characters, especially Professor X and Mystique (America’s Sweetheart, Jennifer Lawrence). I thought they also did interesting things with young Magneto (Fassbender, 12 Years a Slave). You never know whether he will commit to the good side.

Nick: Really?! I think you can always know he will do the bad thing. Though, I read the comics, watched many different cartoons, seen all the movies, and even had a Where’s Waldo version of X-Men (which I need to find). The only reason it may seem as if Magneto will do the good thing is because of how much belief (albeit false) Xavier has in him. He obviously only realizes the errors of his ways too late. This film sometimes felt like the James Bond story arc I talked about during World War Z. They kept traveling from one exotic location to fuck some shit up. I’ve read many interviews where directors admit to doing this because they like to travel and go places they have never been. Sometimes during Days of Future Past it seems like that.

Dustin: That’s one of the things I actually liked about this film: the variety of shots. You have the bleak future shots, the 1970s New York locations, ‘Nam, Paris, Washington, D.C. I can imagine the director likes to travel, but somehow I doubt they actually visited all those places. The Chinese future sets could have been CGI, you didn’t see enough of ‘Nam to believe it wasn’t filmed on a California backlot.

Nick: I’m not talking about the bleak future setting or the ‘Nam setting, but when Magneto tried to kill Mystique in Paris and Trask is there and the scene cuts through televised images that go to the White House where Nixon (Mark Camacho) is watching. All of sudden Trask is in that room! So Nixon waited like a week to be like what are we going to do about this? Trask was also in Paris to try to give his weapons to the Russians and the Vietnamese, so why did it need to take place in France? The crew actually didn’t fly to many places. From my research I could only find information that most of, if not all, the film was shot in Canada. I was commenting on the feeling of the pointlessness of saying you are in France selling weapons to Russians and the Vietnamese and then segue shot to the same character selling the same weapons to Nixon. How many scenes were of Trask selling his Sentinels (mutant robots)?

Dustin: I think this film did a good job balancing the light and dark elements, especially after the recent Marvel comic book movie, The Amazing Spider-Man 2. The comedy scenes were very well done (Quicksilver breaking into the Pentagon was easily my favorite sequence, Evan Peters stole the show for the few scenes he was in, which is saying a lot). The humorous scenes added variety to the experience of the film, rather than clashing horribly in tone like the new Spider-Man 2.

Nick: Certainly the funniest film I have had the pleasure of seeing in 2014. Quicksilver did steal the show, and when he asked about their flight plans, I almost thought he was going to go with them, but sadly he didn’t. DOFP did balance humor with darkness wonderfully. So many scenes were funny, but then some major characters (while in CGI mode) were torn in half, burned alive or beheaded. The film never lost momentum nor felt disjointed. Bryan Singer is a welcome relief in the director’s chair. Singer directed the first two X-men films, and now he returns for DOFP. One of my favorite sequences was Magneto calmly walking down a corridor in stylish ‘70s garb while playing with two magnetized floating balls. The scene was shot with humor and mystery. The camera was low, which made him seem like such a large presence. The outfits were immense, especially whenever young Xavier looked like a pornographer with his ‘70s threads, long hair, drugged-out face and dirty facial hair.

Dustin: I think young Xavier might have actually been Lt. Dan.

Nick: The drug-addled Xavier was a bit much for a film already spending so much time on other “important” quests. While I liked the idea, the fact that he is supposed to be addicted, but quits because Wolverine emphatically for the fifth time tells Xavier he needs his powers (which he loses if he’s using). They could have had more fun with it like after he says he is going to quit and he uses his powers some, but later when needing his powers he says he is not able again. It felt forced into the film for what addiction is and how it's portrayed.

Dustin: My main criticism of the film is perhaps the epilogue. The only other X-Men films I’ve seen are the first one and The Wolverine (which I made a point of seeing because it stars my sister-in-law--look for her in the background during the scene in Ueno Station). I wanted to go back and watch the rest of the films, but this one, without getting too deep into spoiler territory, seemingly undid the outcomes of previous films during the epilogue. This will definitely take away my suspense if I go back to watch them.

Nick: You should definitely watch X2 (it is still my favorite) and X-Men: First Class. If anything they will give you more appreciation for the subtle comedy and shock throughout this movie.

Dustin: I’d recommend this film to general audiences. It was funny, exciting and pleasing; and you don’t have to be a fanboy to enjoy this film.

Tuesday, July 30, 2013

The Wolverine (review, plus bitching about how Hollywood portrays 'poor' people)

Dustin: 3.5 of 5 stars Nick: 1.5 of 5 stars Average: 2.5 of 5 stars (Woozy canary)

Dustin: The Wolverine is an action/adventure comic book adaptation starring Hugh Jackman, Rila Fukushima, Hiroyuki Sanada and Atsuki Takeuchi. Like last week’s Only God Forgives, the latest X-Men movie is about a white douchebag in Asia.

What did you think of The Wolverine, Nick?


Nick: Ugh... the guy with the bow and arrow was sweet!


What did you like about The Wolverine?


Dustin: I mostly enjoyed it. I liked that The Wolverine’s immortality was taken away and he could no longer heal himself instantly. This gave the character limitations he didn't have before and added stakes to the story. I thought the movie blended The Wolverine’s brooding, dark countenance with the colorful and fun story effectively. I especially enjoyed the fight with yakuza above a speeding bullet train. However, I didn’t think it was as dramatically effective as recent superhero movies like Sam Raimi’s Spider-Man or The Dark Knight. I also thought they could have done more with the Japanese setting. As it is, it was more of a fantasy world of what white people think Japan is like, rather than the real thing.


(For more fictional yakuza antics, check out my series, Yakuza Dynasty, available from Amazon Kindle.)


Nick: Completely agree with your last assessment. If one more Asian talked about, “When I was a little child, this happened to me...,” I was going to get up and leave the theater. They also did the cliche of having the foreign person speak quickly in their own language in anger then explain what they said to the main character who only speaks English. To go back to you liking the fact they took Logan’s healing powers away, then why didn't it seem to hurt him when he takes out his claws, which hurt him in previous films when he did have healing powers? Also the love story is sadly developed. They spend a day together and then are willing to die for each other? This film was made for people who already knew the story and could connect the dots on why these things are happening. To end the rant, I would like to point out how lame the villains turned out to be--Viper and a scene of Silver Samurai.


Dustin: Also, The Wolverine is supposed to be immortal, but he inexplicably looks 13 years older than he did in the first X-Man film. Talk about a plot hole!


What did you think of the casting? I didn’t much care for Rila Fukushima. I couldn’t understand her English at times (and I’m used to hearing Japanese Engrish), and I thought she looked like an alien wearing a wig.


Nick: The only casting that can be well regarded is Will Yun Lee as Harada (Bow-and-Arrow guy, Die Another Day) although his character ends up being a throwaway role. Fukushima's English problems didn't affect me considering how I probably wouldn't understand her in real life. Therefore, I kind of enjoyed that aspect of her, but at the same time her acting, as well with Svetlana Khodchenkova (as Viper) and Tao Okamoto (Mariko), who’s just a model, is just not very selling.


Dustin: I thought Atsuki Takeuchi as Girl In Background At Ueno Station #14 was perfect. (FULL DISCLOSER: At-chan is my sister-in-law).


Haruhiko Yamanouchi did a great job as Yashida. They did a good job making him look younger for the Nagasaki sequence and older for the rest of the film. It never looked cheesy like other attempts to make actors look younger, such as Snape in his flashback in the last Harry Potter movie.


Nick: Yamanouchi's character was one of the most entertaining parts, but he spends most of his time off screen, so he is not enjoyed for long.


Dustin: I was going to talk about the cultural inaccuracies in the movie, but what’s the point? Although there were a few, particularly regarding the ninjas, they weren't too offensive or insulting to the audience’s intelligence like the ABC Family mini-series Samurai Girl, so I’ll hold my peace. But if you do want to see an accurate portrayal of Japanese culture through the eyes of American characters (although ridiculously wealthy American characters), see Lost In Translation.


Nick: Was Scar Jo rich in that movie? She seemed a little “poor” to me, and by that I mean she is supposed to be poor but her apartment rocks and she looks incredibly good, but as in her character doesn't have money.


Dustin: The hotel room she stays in at the Park Hyatt Tokyo for several weeks in that movie probably costs $1000 a night, judging by the size of the room.

Note: $1 U.S. = 98 Japanese yen
Nick: That’s what I’m saying... Do they actually say who she is and how much money she makes? Her boyfriend was a photographer without any high profile gigs. Bill Murray is rich and famous, especially in Tokyo. I was watching Road Trip last night, and they have this incredible dorm room, but they're all broke and could never afford such a dorm with that square inchage. So they are "movie poor."

Dustin: Hollywood is terrible about that. The “poor” characters in movies usually live in two-storey homes, but drive slightly older-model cars with a dent on one side. One thing I loved about the movie Mud earlier this year is that it has characters who live shanties on the Mississippi River or utilitarian apartments. You believed these characters and where they came from.

Nick: Mud comes out on DVD on my birthday... Just a gift suggestion.

Dustin: I’m getting you a $5 gift card to McDonald’s.

Nick: NOOOOOO!!!

http://nooooooooooooooo.com/

Nick: I might be biased against The Wolverine because the story the film is based off of is one of my favorite comic book stories. It feels trivialized. He loses his powers, but yet seems just as capable without them, so it feels phony. The screenwriters can just write that he loses his powers, but have him slit open his chest and reach in and grab his heart, as well as a whole bunch of events that would kill someone without healing powers.